Cult Cinema Classics Cover Art Burly Hand Holding Severed Female Head a Bloddy Ax Inthe Other
The 1970s were some of the best times for fashion, music, disco, and for, of course, 70s horror movies. Classic horror movies from before in the 20th century laid the background for the 70s to jump off from and explore new territories. Some horror filmmakers such as Tobe Hooper took a bound into more graphic violent films, while others such as David Lynch incorporated more surrealism and fantasy into the horror genre.
Occult rituals, crime mysteries, and psychological thrills dominated many horror storylines throughout the 1970s. Subgenres of horror began erupting with novel adaptations, comedy flicks, and even stories based on true supernatural events. As special-effects teams explored their craft, more science fiction films made information technology to the large screen, putting aliens, animals, and zombies middle stage. Jaws (1975) hit mainstream success. Brian De Palma's directorial work in Carrie (1976) drew Oscar nominations for the 2 female leads.
Check out this list of the best horror movies from the 1970s.
1970s Horror Cinema
The Dunwich Horror (1970)
A whole new era of horror movie house was introduced in the 1970s, with this occult motion picture based off a novel with the aforementioned proper noun. The story follows a group of higher students who encounter a mysterious man scouring the campus library for an aboriginal volume with strong supernatural powers. Critics dubbed this film a expert choice for fans of the Lovecraft novel, but Patrick Legare of AllMovie shared his thoughts on the dated aesthetics:
Everything most the picture — the performers, the hair styles, the psychedelic imagery, the music — has belatedly-60's tackiness written all over it, which leaves information technology very dated and not very Lovecraftian.
The Affair With Two Heads (1971)
Gilded Historic period of Hollywood star Ray Milland (The Lost Weekend, Dial M for Murder) stars as Dr. Maxwell Kirshner, a rich, bigoted white man whose health is rapidly falling apart. As he desperately hatches a plot to save himself by having his head grafted onto the body of a healthy younger man, his underlings are dismayed to find that the simply available candidate is a big, burly blackness homo from Decease Row (played by NFL star Rosey Grier), who has volunteered for the dangerous experiment in order to save himself from the electric chair. Problem is, they don't inform Dr. Kirchner virtually whose body he'll be sharing until he regains consciousness after surgery. The residuum of the movie is an extremely odd mishmash of gore, comedy, and skilful old-fashioned American racial tension.
Blood and Lace (1971)
70s movie house was full of slasher films, with gory scenes that kept audiences coming back for more than. This bloody horror film directed by Philip S. Gilbert pushed the boundaries on how much violence audiences could stomach. The story opens with a clawhammer murder scene that scared some, while others believed the 70s special effects still had some work to exercise before they could fool anyone into assertive the grotesque images onscreen.
Willard (1971)
Bruce Davison received an Oscar nomination for All-time Actor for his portrayal as the title character, a meek and awkward young man who lives along in a creaky sometime mansion with his cranky mother. Willard is relentlessly bullied in life—particularly by his dominate, played past University Laurels winner Ernest Borgnine. At home and alone, Willard starts keeping pet rats. He finds that he can communicate better with them than with people. He allows his new rodent friends to breed…and brood…and brood…and and so trains them to wreak violent vengeance on his bullies. Willard was such a success that information technology led to a 1972 pic chosen Ben, named after Willard's favorite rat. The theme song to Ben was sung by a young Michael Jackson and was one of his offset solo hits.
Blacula (1972)
Blaxploitation films emerged in the early 1970s and while they still repackaged negative stereotypes most black people, they also brought a new wave of much-needed black representation in front of and backside the camera. They are remembered for their cultural impact and the funk and soul music regularly used in blaxploitation films.
William Crain graduated from UCLA's motion picture school and directed this Black vampire motion picture. The story follows an 18th-century African prince who turns into a vampire after fighting to end the slave trade. One iMDB user expresses his appreciation for the unconventional themes addressed in a vampire flick:
Though it may not be the all-time vampire/horror flick in the earth, and it takes livery with historical facts (a slave merchandise in Transylvania?!), information technology does incorporate a rather touching love story. With that existence said, I have to admit that this movie also contains some of the virtually hilarious dialogue I've heard in a monster movie.
Nighttime of the Devils (1972)
Italian film managing director Giorgio Ferroni directed this horror motion-picture show that contained some surrealist influences, inspired by 60s horror cinema. This eerie gothic film features a strong atomic number 82 histrion playing a mentally ill human being who is mistaken for a vampire. With a new decade, audiences had heightened expectations for more than believable gore effects. Nonetheless, David Maine of Pop Matters defends this lost 70s Italian flick'southward arroyo to horror storytelling.
"The picture eschews such over-the-top visuals, preferring to apply mystery to proceed the audience hooked. It will satisfy the obscure-horror lover, but perhaps non and so much the casual viewer. Today's hyperkinetic movies provide quite a few more jolts than this deliberately paced offer."
Night of the Lepus (1972)
An Arizona ranch plagued by a growing population of mutated rabbits, so a zoologist is chosen to the rescue. Even so, his experimentation leads to horrifying consequences when the rabbits grow larger and more than unsafe. Similar to other sci-fi horror flicks of the early 70s, this film's lackluster special furnishings were disappointing to audiences. Film critic Vincent Canby expressed disappointment in the film's execution of scary rabbits.
"One of the problems with these new films is that they sometimes have a cracking deal of trouble making the Things seem horrifying. The rabbits in The Night of the Lepus photographed in boring-motion close-ups in an attempt to brand them announced huge and scary, still look like Easter bunnies."
Belfry of Evil (1972)
British horror cinema exploded onto the silver screen with this mystery thriller. The story opens with two seamen who discover a bloody hand on board of their ship, then become horrified at the sight of a woman'due south severed body at the lighthouse. This picture is considered one of the first British slashers ever made and an overlooked 70s classic horror film.
The Exorcist (1973)
The Exorcist is ane of the about famous horror movies from the 1970s, if not ane of the virtually famous films e'er made. The plot revolves effectually demonic possession. Audiences experiencing the motion picture for the first time idea it was the scariest movie of all time. In a 2000 article, Chicago Tribune motion picture critic Michael Wilmington shares the impact that this archetype horror film has on mod horror cinema.
The Exorcist, similar most memorable Hollywood movies, gains its power from the way it mixes opposites: new-way realism and sexual radicalism, old-way horror and religion. Even later almost three decades of increasing movie overkill, it's a thriller that really thrills, a shocker that actually shocks. And it's still a film that tin can scare the hell out of us.
The Wicker Man (1973)
Rotten Tomatoes gives this horror thriller an critical score of 89% and audience score of 83%. The story opens on the investigation of a missing child, exposing a Scottish town'southward secrets surrounding pagan rituals and strange sexual behavior. This British folk horror influenced pop culture, as seen in British band Radiohead's "Burn The Witch" music video.
Black Christmas (1974)
Many horror films in the 1970s appealed to terrifying experiences, including the urban legend of the babysitter and the home invader. Audiences seemed to respond ameliorate to relatable storylines instead of larger-than-life creatures and disappointing special effects. This film'southward cult following led to 2 remakes and is considered one of the greatest slasher films ever made. The final girl we follow throughout this home invasion film was named #one on Paste's listing of "20 All-time Final Girls in Horror Picture show History."
Frightmare (1974)
A hubby and married woman spent nearly twenty years in a mental institution after government discovered their cannibalistic behavior in a murder investigation. The husband himself is only guilty of being devoted to his sadistic wife, who copes with her childhood trauma through luring young victims to her habitation where she feasts on their severed bodies. The twisted couple lives in a secluded farmhouse that provides a chilling properties for their unspeakable acts of violence. Travis Lytle'south Letterboxd review praises the film'southward compelling acting and creepy set blueprint, which brand upward for loopholes in the script.
The pic's spurts of claret, graphic symbol-generated energy, and dread-inducing atmosphere enliven the matter and smooth over issues in the narrative. There is a full general sense of creepiness that pervades the film, and Walker's cast communicates that sense with ease. The main antagonist is not someone the audience would want to meet in a dark corridor.
It's Alive (1974)
The slasher genre introduced a new killer in this 70s horror movie: a newborn baby. Inspiration for the storyline came from real-life dangers that resulted from expectant women taking prescription drugs throughout their pregnancy in the 1950s and 1960s. A Los Angeles couple excitedly wait the birth of their new babe male child, until they realize the plain-featured infant has fangs and claws. Within minutes of being born, the diabolical baby murders the medical team and escapes the room. The visceral horror film led to ii sequels and a remake in 2009.
Symptoms (1974)
Spanish filmmaker José Ramón Larraz directed this British exploitation horror flick, also known as The Claret Virgin. The chilling story follows a woman'south visit to her girlfriend's secluded house in the British countryside, and the encarmine aftermath that ensues upon her arrival. Inspired by iconic giallo films and social bug of the fourth dimension, this LGBT horror integrated a lesbian relationship into a terrifying grindhouse picture show feel.
The Texas Concatenation Saw Massacre (1974)
Horror fans honey the slasher genre for its graphic violence and suspenseful storylines. In this R-rated horror film, a cannibalistic family, including Leatherface, a human being with a chainsaw and mask made out of homo skin, torments and murders a group of young adults while on a road trip. This, the original film in what led to a successful franchise, is known every bit one of the all-time and well-nigh influential horror films.
Burnt Offerings (1976)
A staple for many 70s horror films is a irksome-burning plot that builds suspense, rather than startling bound scares. This demonic-possession film is about a haunted Victorian home that flexes control over its residents. Fans of the film appreciate the compelling acting and creeping suspense. Rovi Donald Guarisco, a critic from Movie Guide, warns horror fans who may be looking for a different type of horror-watching experience.
"The film is worthy of rediscovery by the horror fans who missed it the first time. In the finish, Burnt Offerings is probably a bit too methodical in its pacing for viewers accustomed to the slam-bang approach of postal service-70s horror fare, but seasoned horror fans will observe plenty to enjoy."
Carrie (1976)
Brian De Palma directed this Oscar-winning horror motion picture about a troubled teenage girl with supernatural powers. Carrie is an adolescent woman with no friends and a devoutly religious female parent who is ofttimes abusive. She is forced to navigate the complicated world of menstruation, sexuality and death, resulting in an iconic encarmine prom scene. This picture show's massive success led to a 2013 remake directed by Kimberly Peirce, starring Chloë Grace Moretz and Julianne Moore.
The Omen (1976)
When a couple suffers the devastating loss of their newborn, the husband accepts an offer from the hospital priest. He agrees to take habitation a newborn whose mother just died in childbirth and takes the child from Italy back to London. Years later, a series of tragic events environment the family unit and leave them desperate for answers. Many writers refused to work on the film because of the spooky demonic discipline matter.
Eraserhead (1977)
This mail-apocalyptic horror flick is nigh a mill worker whose manically depressed girlfriend gives birth to a mutant fauna. After moving in together, the kid's piercing screams crusade the new mother to flee. The begetter finds himself alone with the unnatural infant and begins experiencing agonizing nightmares and psychosis. This experimental body-horror film has strong sexual themes, a staple for 1970s cult films. Peter Sobczynski highlights the reason why this motion-picture show was appreciated in 1970s movie theater, but maybe not as much in modern horror.
"At the aforementioned time, while some have attempted to explain Eraserhead as Lynch'southward nightmarish take on the perils of domesticity or as a pro or anti-abortion tract, information technology is a testament to the power and purity of his vision that fifty-fifty after all of these years, information technology still cannot only be reduced to a bunch of talking points. As a result, watching Eraserhead today tin can exist a somewhat melancholic experience in this regard for those who once experienced it in its subsequently-hours glory and realize that the time when something like this could thrive has long since passed."
The Hills Take Eyes (1977)
The Hills Have Eyes marks another 1970s horror flick that dives into the theme of a route trip wrecked by sadistic serial killers. The story follows a retired detective travelling with his family in a trailer headed through Nevada on their way to California. Cannibalistic murderers stem the family until they move in for a bloody rampage. This horror film played on post-Vietnam war fragility and included political themes that called for social commentary. Eric Langberg'southward article "The Hills Have Eyes is hicksploitation done correct" expands on the film'southward socioeconomic thematic messaging:
"The Hills Have Eyes may not have originated some or whatsoever of the tropes common to hicksploitation films (which derive their horror from exploiting middle-class fears well-nigh lower-class white people in the American heartland).
"Intriguingly, the movie likewise trades in what feels like 1950s or 60s postwar fears of government-sponsored scientific horror. Similar the monster movies of the 50s and 60s that were a reaction to a deep dense of horror well-nigh the consequences of the diminutive bomb, The Hills Take Eyes exploits fears of what our experiments with nuclear bombs have washed to this land.
"I don't think it'southward an accident that The Hills Take Eyes was made but afterward the end of the Vietnam War, either; this was a time when Americans were confronted more always before with images displaying the deeply horrific impairment war tin wreak on humanity."
The Uncanny (1977)
A horror writer visits his publisher in Montreal to particular his upcoming book. The work focuses on diabolical cats who possess supernatural powers with the potential to cause unspeakable damage. Such a concept seems ridiculous until the writer dives into this trilogy of terrifying stories. If y'all are a horror fan who appreciates witchcraft, comedy, and cats, this 70s horror flick is the one for you.
Rabid (1977)
This 70s sci-fi horror picture paints a bloody Montreal plagued by a zombie epidemic. A motorcycle accident leaves a woman with a strange sexual orifice that gets pleasure from feeding on human being blood. The film was 1 of the highest-grossing Canadian films of its fourth dimension, grossing $1 million in Canada solitary. In 2019, Canadian duo the Soska Sisters directed a frightening modernistic remake with the same title.
Suspiria (1977)
Dario Argento directed this Italian supernatural cult archetype about a ballet pupil who transfers to a prestigious German trip the light fantastic academy. Upon arrival, a cord of gruesome murders leads her to discover a terrifying truth about the new world she has walked into. A modern remake starring Dakota Johnson was released in 2018. Pop culture has since embraced this film's legacy through music, television, and motion-picture show. For example, a Norwegian thrash-metallic band, a United kingdom gothic rock band, and a witch-business firm project all take names inspired by the film title.
Dawn of the Dead (1978)
Horror filmmaker George A. Romero directed and edited this independent horror film. The pic follows survivors of a zombie outbreak who find shelter in a shopping mall. Take they found the perfect refuge from the living dead, or have they fooled themselves into putting down roots inside a deathtrap? Roger Ebert wrote in 1979 about why this film was one of the best horror films ever made:
"Dawn of the Dead is one of the all-time horror films ever made — and, as an inescapable result, ane of the virtually horrifying. It is gruesome, sickening, disgusting, violent, brutal and appalling. It is also (excuse me for a second while I notice my other list) brilliantly crafted, funny, droll, and savagely merciless in its satiric view of the American consumer society. Nobody ever said fine art had to be in expert taste."
Halloween (1978)
The infamous series killer Michael Myers sliced correct into the horror genre with this classic slasher flick. A six-year-old Myers murdered his teenage sister on Halloween and was admitted to an insane asylum. 15 years later, he escapes and returns to his hometown with sights attack new victims. The popular 70s horror trope of a babysitter versus the manic stalker is front end and center in this suspenseful storyline. Lead extra Jamie Lee Curtis was 19 years onetime when she appeared in this moving picture, earning herself a mere $eight,000 for her acting piece of work. The film's massive success launched her long-lasting career as a "scream queen," as she appeared in several sequels to Halloween as well as other horror films in the early stages of her career.
The Toolbox Murders (1978)
Cited by Stephen King as one of his all-time favorite horror movies, The Toolbox Murders was marketed as being based on a true story, although that was zip more than promotional hype. Hollywood star Cameron Mitchell stars every bit Vance Kingsley, a serial killer who prowls the seedier parts of LA at night wearing a mask. In graphic style, we run into him murder a adult female with an electric drill, another woman with a hammer, and another with a screwdriver. Only past far the most graphic scene involves Kingsley invading the apartment of a beautiful naked woman who's enjoying a bubble bath, simply to take nails shot through her body with a blast gun. Equally she slowly bleeds to death, some grisly state and western vocal well-nigh a "pretty lady" plays in the background.
Invasion of the Trunk Snatchers (1978)
Set in San Francisco, California, this PG-rated scary sci-fi motion picture paints a terrifying globe for audiences. Imagine your closest friends and relatives begin acting differently, in ways far stranger than what you lot may await. In this picture show, an alien invasion has caused supernatural powers to take over the bodies of humans, making them seem perfectly normal on the outside. Withal, this paranoid infiltration classic shows what happens when you don't know your loved ones as much equally you call up you lot exercise.
The Fury (1978)
This supernatural thriller moving picture was shot on a upkeep of $vii.5 million and grossed $24 million at the box function. Brian De Palma was the managing director behind this horror hitting and is also the mastermind behind other horror classics such equally Carrie (1976), Scarface (1983), and Raising Cain (1992). In that location is a persistent theme throughout that highlights the sexual ability that women have over men, especially in the supernatural realm. Jake Laystrom writes in defence force of De Palma's anarchistic themes in his horror films:
De Palma unfortunately never seemed to reach the aforementioned level acclaim as his "moving picture brats" comrades, filmmakers who included Steven Spielberg, Martin Scorsese, George Lucas, and Francis Ford Coppola. This tin likely be attributed to De Palma's fearlessness in including gore and portraying sexual desire on-screen, both of which often caused critics and audiences to overlook his early piece of work, no matter the arts and crafts behind information technology, in addition to his potent and steadfast opinions he has never been agape to make public. De Palma deserves much more respect than he has received, as it's hard to think of filmmakers who lucifer the pure thrills his films take delivered.
Dracula (1979)
Set in 1913, this horror cinema classic follows the charming Count Dracula every bit he hunts downwards the perfect helpmate in England. This modern depiction of a classic horror character shone a new lite on the quondam Dracula persona. Frank Langella, the actor playing Dracula, expressed the ways in which he wanted to explore this grapheme.
I decided he was a highly vulnerable and erotic man, not cool and detached and with no sense of humor or humanity. I didn't want him to appear stilted, stentorian or authoritarian as he'due south frequently presented. I wanted to show a human who, while evil, was lone and could fall in dearest."
Beyond the Darkness (1979)
A voodoo-doll game turns out to exist a curse when it ends up costing the life of a human'southward fiancée. Devastated by his loss, he digs up her grave, stuffs her trunk, and keeps her dead body in his bed. Equally he looks for a new living companion, he enlists the assistance of his psychotic housekeeper to dispose of whatever unsuitable women that observe his necrophilia.
Nosferatu the Vampyre (1979)
The High german championship of this vampire horror flick is Nosferatu: Phantom der Nacht. Werner Herzog wrote and directed this 1922 Nosferatu remake. Critics praised this vampire motion picture for a fresh visual artful that utilized a beautiful cinematic arroyo to a sinister storyline. Acclaimed movie critic Roger Ebert gave this film four stars and even added it to his esteemed "Bang-up Movies Collection," stating the following:
"One striking quality of the film is its beauty. Herzog'due south pictorial eye is not often enough credited. His films always upstage it with their themes. Nosotros are focused on what happens, and at that place are few 'beauty shots.' Await here at his control of the color palette, his off-center compositions, of the dramatic counterpoint of lite and nighttime. Here is a film that does honour to the seriousness of vampires. No, I don't believe in them. But if they were real, here is how they must look."
Phantasm (1979)
Tall Homo, the local mortician, has a bit of a hugger-mugger. Non simply is he resurrecting the local townsfolk to human action as his undead minions, but he's also got some spooky metal spheres that are intent on destroying anyone who tries to finish him. That's not going to deter teen Mike, his older brother, and the local water ice cream man, for better or worse. This oftentimes-forgotten sci-fi horror volition have you simultaneously scratching your caput and hiding under the covers.
Salem'south Lot (1979)
Salem's Lot is a TV horror special film that was nominated for three Primetime Emmy Awards, including Graphic Pattern, Makeup and Musical Composition. The story follows a writer whose inquiry on a haunted business firm uncovers more than meets the eye. A dearest matter, sudden strange deaths, and a lot of claret reveal that vampires are involved somehow. However, the man runs into problem when trying to convince anybody to be conscientious of unsafe vampires without seeming similar a deranged psychopath himself.
The Amityville Horror (1979)
The music in this haunted-house film earned nominations from the Oscars and the Golden Globes for All-time Original Score. As the horror genre evolved in the tardily 1970s, filmmakers took a stab at real-life scenarios that audiences could relate to and go even more terrified of. In this picture, a pair of newlyweds learn that their dream house was once the site of a mass murder. Despite the news, the two determine to move their blended family into the home and start fresh. Even afterwards a priest performs an exorcism on the business firm, demonic powers take over and target the innocent children.
The Brood (1979)
David Cronenberg wrote and directed this 1970s sci-fi horror about mental illness, trauma, and abuse. A man's married woman is under the care of a mysterious psychologist whose techniques are causing inexplicable physical and mental symptoms. Her trauma is so astringent that she and the psychologist are willing to do whatever it takes to help her recover from her childhood abuse; however, it may come up at the cost of the family unit she built with her hubby.
The Driller Killer (1979)
Inspired by Taxi Commuter (1976), this psychological horror flick follows a New Yorker whose psychotic alter ego develops a unsafe hunger for murder. An artist finds himself struggling to survive off his passion in the Large Apple. Day in and day out, he witnesses violence across his gritty city and decides to utilise the encarmine chaos every bit inspiration for his greatest piece notwithstanding. Rejection leads him to pick up a power drill and start downward a dangerous path of no return.
Alien (1979)
With a talented cast, devoted crew, and unconventional script, Alien (1979) marked the first of four successful characteristic films in the horror franchise. The movie'southward success amounted to $203.vi million in box role sales and an Oscar win for Best Visual Effects, as well as induction in the esteemed Usa National Film Registry. Actress Sigourney Weaver starred equally a strong female protagonist, playing a warrant officer onboard a spaceship. The character challenged gender roles of the 70s, which rarely gave women characters that were strong, intelligent, and respected. Weaver's impeccable commitment to her performance earned herself an University Laurels nomination for Best Actress.
Zombie (1979)
This Italian zombie-outbreak motion picture opens with an abandoned boat floating ashore in New York, with no living humans within. Instead, a flesh-eating zombie attacks two Coast Guard officers who dared stepping aboard. The story follows a immature woman whose search for her father leads her to a zombie-infested tropical island. Robert Firsching praises the art department for providing satisfying horror visuals to make upward for the disappointing special effects of early 1970s horror flicks.
The nauseatingly graphic prepare-pieces by Gianetto de Rossi include a shut-up of a woman's eye being pierced by a large shard of wood and a zombie fighting a Great White shark underwater. This relatively well-made shocker was enormously popular worldwide and led to the zombie-gore moving picture becoming the dominant motif of 1980s Italian horror.
Up From The Depths (1979)
If yous're looking for a really bad and really cheesy movie from the 70s, look no further than Upward From The Depths. Hither is how film critic Kurt Dahlke from DVD Talk described this disaster of a film: "Up From The Depths isn't remotely scary or thrilling, information technology lacks sufficient violence or gore to please the punters, and its mid-course switch to one-act isn't all that funny either. We're talking about a real heap of bronze-plated crud, so if your taste runs to Z-movies, you'll still probably accept to get real drunkard to eke any pleasure out of this 1."
Other 70s Horror Movies
- Count Dracula(1970) stars Christopher Lee in what many feel is the best cinematic portrayal of the Count in pic history.
- The Bird With the Crystal Plumage(1970) is an early classic in the giallo genre by famed Italian manager Dario Argento.
- Mark of the Devil(1970) was banned in several countries for overt satanic themes 3 years beforeThe Exorcist became an international sensation.
- The Sorcerer of Gore(1970) is some other Grade-Z bloodfest by pioneering slasher-movieauteurHerschell Gordon Lewis.
- Big Foot(1970) is the start of several 70s films to exploit the legend of Sasquatch.
- Eugenie…The Story of Her Journey into Perversion(1970) tells the story of an innocent young girl who travels to a remote island and plunges into a world of pain, terror, and sex.
- Trog(1970) stars classic Hollywood actress Joan Crawford every bit an anthropologist who believes she has institute the missing link.
- Taste The Blood Of Dracula (1970) marks the fifth sequel to the classicDracula horror series.
- Valerie and Her Week of Wonders (1970) a "nonlinear" fantastical arthouse movie from
- Jaromil Jires.
- Vampyros Lesbos (1971) is a German-Castilian erotic horror movie that featured a lesbian-fueled vampire storyline.
- The Corpse Grinders(1971) is a low-budget gorefest involving a true cat-food company that raids cemeteries to make their cat food—but to find out that it gives the cats a taste for living human flesh.
- A Bay of Claret(1971) is a classic slasher film past legendary Italian director Mario Bava.
- The Business firm That Dripped Blood(1971) weaves four dissever horror tales around a single haunted house in the UK.
- The Abominable Dr. Phibes(1971) stars Vincent Price in the title role as an organist who plots revenge against the physicians he blames for killing his wife during an operation.
- Aviary of Satan(1972) stars Carla Borelli equally a young woman who initially thinks she's being kept in a mental asylum, only to slowly realize it's much worse than that.
- Don't Torture a Duckling(1972) is Italian horror managing director Lucio Fulci'south masterpiece well-nigh a series of mysterious murders in a small town.
- Frenzy(1972) is an often disregarded Alfred Hitchcock moving-picture show nearly a charismatic London series killer.
- The Gore Gore Girls(1972) is the concluding slasher picture by Herschell Gordon Lewis and also the goriest.
- The Last House on the Left(1972) involves two girls being tortured by four escaped convicts, and so their mother torturing the convicts in revenge.
- The Fable of Boggy Creek(1972) is notwithstanding another low-budget Sasquatch film from the 1970s, but this time Bigfoot is located in the South rather than the Northwest.
- The Erotic Experiences of Frankenstein(1972) is Jess Franco's effort to fuse horror and porn.
- Night of thousand Cats(1972) a millionaire playboy kidnaps beautiful women and feeds them to his cats.
- Sisters(1972) stars Margot Kidder every bit a beautiful woman separated from her identical twin in this early outing by Brian De Palma.
- Flavor of the Witch(1972) involves a bored housewife who dabbles in witchcraft to spice up her life but winds upwardly with more she bargained for.
- Don't Look Now (1973) follows a married couple as they attempt to escape a devastating loss simply end up coming face-to-face with a clear-sighted nun who makes them face their fears.
- The Processed Snatchers (1973) gained a cult following for its exploitation-style horror adaptation of a real-life kidnapping story.
- Satan'south School for Girls(1973) stars futurity Charlie'southward Angels stars Kate Jackson and Cheryl Ladd as two girls who dabble in the occult at a private school.
- Torso(1973) involves a quartet of young women who attempt to escape a serial killer, merely to find that he's waiting for them at their retreat.
- Schlock(1973) is sort of an erotic Bigfoot beloved story by manager John Landis (Animal House, Twilight Zone).
- Don't Be Afraid of the Dark(1973) involves a immature couple who inherits a crumbling mansion and all the spirits within it.
- Theatre of Blood(1973) stars Vincent Price equally a Shakespearean actor who decides to start murdering critics who requite him negative reviews
- Sugar Hill (1974) was a popular blaxploitation picture show featuring zombies, a voodoo queen, and mobsters.
- Abby(1974) is a Blacksploitiation ripoff ofThe Exorcist by low-budget director William Girdler.
- The Texas Chain Saw Massacre(1974) is the grisly slasher film that spawned an endless number of sequels and imitators.
- It's Live!(1974) features a couple whose infant kid chills whomever scares it.
- Criminally Insane (1975) centers effectually an obese San Francisco woman who has been recently released from an asylum and starts killing anyone who criticizes her weight.
- Deep Cherry-red (1975), also known asThe Hatchet Murders, is an Italiangiallo film that dives into the investigation of a series murderer wearing mysterious black gloves.
- Jaws (1975) was the highest-grossing moving picture in the history of movie theatre until the release ofStar Wars (1977).
- The Rocky Horror Movie Bear witness (1975) started out as a musical stage production and gained an international cult following after its explosion onto the silver screen. The glam-rock aesthetic and LGBTQ influence makes this 70s horror moving-picture show a 1-of-a-kind horror movie feel!
- Assault On Precinct thirteen (1976) is an activity-packed horror thriller that follows a police force officer who enlists the help of a bedevilled murderer to combat a ruthless LA gang.
- Shivers(1976) is an early on David Cronenberg classic well-nigh apartment-dwellers who become infected with a parasite that makes them licentious and violent.
- Alice, Sweet Alice(1976) a young female murder victim's older sister becomes the prime doubtable in the slaying.
- King Kong(1976) was a massively successful remake of the massively successful 1932 original.
- Schizo(1976) revolves around a woman who insists she's being stalked by a murderer but instead becomes a murder suspect herself.
- Obsession(1976) involves Cliff Robertson who falls in dearest with a woman who bears an odd resemblance to his murdered ex-married woman.
- Snuff(1976) achieved infamy and box-function success by marketing itself as an actual snuff film, but information technology really wasn't.
- The Tenant(1976) is a psychological horror flick directed by and starring Roman Polanski. Polanski also directed other famous horror movies such every bitRepulsion (1965) andRosemary'south Babe (1968).
- The Clown Murders (1976) is a Canadian horror motion picture involving four guys in clown outfits whose prank goes horribly awry. It features John Candy in one of his earliest appearances.
- Empire of the Ants(1977) is based on an H.G. Wells story and involves people stranded on an isle inhabited by giant murderous mutant ants.
- Eraserhead(1977) is David Lynch'south debut flick and involves a homo with an odd frizzy pompadour who must bargain with his mutant infant child.
- The Hills Have Eyes(1977) is a Wes Craven film that features a vacationing family who are terrorized past rural killers.
- Kingdom of the Spiders(1977) stars William Shatner as a tough cop who has to battle an onslaught of giant spiders.
- Satan'southward Cheerleaders(1977) involves a group of Satanists who kidnap four cheerleaders without realizing that ane of them is a witch.
- Orca: The Killer Whale!(1977) is an attempt to capitalize on the success ofJaws by substituting a great white shark with an orca.
- House (1977) is a Japanese comedy horror film that critics have compared toThe Rocky Horror Picture Bear witness (1975) and S Korean supernatural horror filmWhispering Corridors (1998).
- The Spell(1977) features a like storyline to the popular 70s horror filmCarrie(1976). Actress Helen Hunt appears in the story almost a teenage girl whose disdain for her classmates turns deadly.
- The Manitou(1978) is schlock director William Girdler's last film and involves a woman who discovers that what she thought was a tumor growing on her neck is actually a fetus.
- I Spit On Your Grave (1978) is an extremely graphic rape and revenge horror movie based in New York City. Controversy surrounding the film'due south 30-minute gang-rape scene and gory violence turned this film from "worst movie ever fabricated" to a cult archetype.
- Attack of the Killer Tomatoes!(1978) involves UFOs, Bigfoot, communists, and, but of grade, killer tomatoes who are on the set on.
- Coma(1978) when several patients unexpectedly die during operations, a plot to sell their torso parts is uncovered.
- Dawn of the Dead(1978) is George Romero's follow-upwardly toNighttime of the Living Dead, this time set up in a shopping mall.
- Piranha(1978) is, like Orca, an endeavor to capitalize on the success of Jaws, but this time swapping out piranhas for a shark.
- The Grapes of Death (1978) tells the sad tale of a young adult female trapped in a hamlet where pesticides have turned everyone into zombies.
- The Amityville Horror(1979) is based on a real-life murder of an entire family unit on a house in Long Isle in 1974.
- Prophecy(1979) involves a mutant alien spawn that sort of looks like a wadded-upwards blob of bubble gum that you detect nether a film-theater seat.
- The Breed(1979) disfigured children pelting holy hell on a major metropolis while a self-absorbed couple is badly trying to finish their divorce proceedings.
Farther Reading
- The Disruption of Hegemonic Discourses Through 70s Horror Films
- The 'Exorcist' (1973) Facts
- 1950s Horror Movies, Ranked/Explained
- The Best 60s Horror Movies
- The Best 80s Horror Movies
- 90s Horror Movies (List)
Source: https://creepycatalog.com/70s-horror-movies-100-scary-films-from-the-1970s/
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